Black Ash Cross Leg Table

Made from full stave ash with acrylic insert along the length of the table. Acrylic peg detailing on legs.

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Ash Oiled Cross Leg Table

Made from full stave ash with copper insert along the length of the table. Copper peg detailing on legs.

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Concrete Garden Table and Bench

Ruggedly constructed from rough sawn timber and cast concrete, this garden furniture is unlikely to be blown over in a strong wind. Available in several colours.

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Sported Ash & Bronze Side Cabinet

Sported Ash cabinet with bromze handles cast from the fungus which causes the black lines in the timber.

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Kitchen Table with Cast Aluminium Workbench Legs

Oversized oak kitchen table with aluminium legs cast from a 1930s workbench.

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Rustic Garden Table & Bench

Rustic Garden table and bench made from reclaimed French oak.

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Lauretta

Silk crepe is fluid and kept ethereal by the use of organza and tulle. French rose lace is appliquéd along with a graduating boarder of lace at the hem. French rose lace shrug with dramatic long cuffs, all edged in roses.

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Lauretta

Silk crepe is fluid and kept ethereal by the use of organza and tulle. French rose lace is appliquéd along with a graduating boarder of lace at the hem. French rose lace shrug with dramatic long cuffs, all edged in roses.

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Lauretta

Silk crepe is fluid and kept ethereal by the use of organza and tulle. French rose lace is appliquéd along with a graduating boarder of lace at the hem. French rose lace shrug with dramatic long cuffs, all edged in roses.

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First Calico Fitting

Body measurements are taken for a calico shell to be pinned and moulded to the client’s shape. New lines drawn on the calico and proportions changed to enhance the figure. Decorative processes of beading or embroidery are developed at this stage. From the calico fitting adjustments are made and a paper pattern constructed. This is used to cut the silk fabric and foundation fabrics that give definition and a smooth shape to the dress.

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First Silk Fitting

With any beading or embroidery completed at this stage the gown is temporarily stitched, checked and continually perfected. Adjustments are made, the lining sewn in, petticoats permanently stitched in, back loops stitched and so the building of the dress evolves. Additional fittings ensures continual checking of all elements before the finishing stitches, beads or lace edgings and buttons are added.

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Final Fitting

Dress fittings are progressive and collaborative, undertaken by Christine ensuring a perfect gown that moves with you and has your personality sewn into it. The process makes each bride-to-be feel so special and confident, safe in the knowledge that the dress is comfortable and truly stunning, a dress of a life time. It is a very personal and exciting process, the magic of Couture.

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Lauretta

Silk crepe is fluid and kept ethereal by the use of organza and tulle. French rose lace is appliquéd along with a graduating boarder of lace at the hem. French rose lace shrug with dramatic long cuffs, all edged in roses.

Close

Lauretta

Silk crepe is fluid and kept ethereal by the use of organza and tulle. French rose lace is appliquéd along with a graduating boarder of lace at the hem. French rose lace shrug with dramatic long cuffs, all edged in roses.

Close

Lauretta

Silk crepe is fluid and kept ethereal by the use of organza and tulle. French rose lace is appliquéd along with a graduating boarder of lace at the hem. French rose lace shrug with dramatic long cuffs, all edged in roses.

Close

Lauretta

Silk crepe is fluid and kept ethereal by the use of organza and tulle. French rose lace is appliquéd along with a graduating boarder of lace at the hem. French rose lace shrug with dramatic long cuffs, all edged in roses.

Close

Lauretta

Silk crepe is fluid and kept ethereal by the use of organza and tulle. French rose lace is appliquéd along with a graduating boarder of lace at the hem. French rose lace shrug with dramatic long cuffs, all edged in roses.

Close

Lauretta

Silk crepe is fluid and kept ethereal by the use of organza and tulle. French rose lace is appliquéd along with a graduating boarder of lace at the hem. French rose lace shrug with dramatic long cuffs, all edged in roses.

Close

Lauretta

Silk crepe is fluid and kept ethereal by the use of organza and tulle. French rose lace is appliquéd along with a graduating boarder of lace at the hem. French rose lace shrug with dramatic long cuffs, all edged in roses.

Close

Lauretta

Silk crepe is fluid and kept ethereal by the use of organza and tulle. French rose lace is appliquéd along with a graduating boarder of lace at the hem. French rose lace shrug with dramatic long cuffs, all edged in roses.

Close

Lauretta

Silk crepe is fluid and kept ethereal by the use of organza and tulle. French rose lace is appliquéd along with a graduating boarder of lace at the hem. French rose lace shrug with dramatic long cuffs, all edged in roses.

Close

Lauretta

Silk crepe is fluid and kept ethereal by the use of organza and tulle. French rose lace is appliquéd along with a graduating boarder of lace at the hem. French rose lace shrug with dramatic long cuffs, all edged in roses.

Close

Lauretta

Silk crepe is fluid and kept ethereal by the use of organza and tulle. French rose lace is appliquéd along with a graduating boarder of lace at the hem. French rose lace shrug with dramatic long cuffs, all edged in roses.

Close